The Black Keys – Blakroc [Review]

blakroc-nappyafro

OK, so you know The Black Keys right…exactly. That’s why this is a FFWD and not a track by track. I’m vaguely familiar with them, but Blues Rock doesn’t appear to be high on the radar for you, our nappyafro readers. Now, if we’re wrong, please comment and let us know you are checking for this and other genres of music.

Anyway, that aside, I was kinda amped for this album. With Dame Dash being involved and the list of talent to grace the album (Luda, Mos Def, RZA, Pharoahe Monche, Raekwon, Q-Tip, and Nicole Wray to name a few) I figured this one was a no brainer. I like Black Keys alright, and Rock n Rap is usually pretty cool, so bring it on. It sounds like what it is, very experimental. It’s not a bad album, but you really have to be open to the sound. This isn’t your Roots playing behind Thought, this is Rock music with folks rapping/singing over it. There are some moments on this album where it really seems to come together like “Stay Off the Fuckin’ Flowers” featuring Raekwon, but unfortunately, those moments are the background to what seems to be largely just something new.

Bottom Line:
Don’t let the names fool you, this is really a Rock album. The sound is amazing, you can hear every instrument played, but the songs and sound are really much larger than the artists vocals and steal the show on almost every song. Not only that, outside of Mos Def (shout out to The Ecstatic) and Rae, everyone else sounds kind of forced. I’m interested in hearing how this unfolds if they continue to play with this project.

Download: The Black Keys feat. Raekwon – “Stay Off the Fuckin’ Flowers”
Download: The Black Keys feat. Billy Danze of M.O.P., Q-Tip, & Nicole Wray – “Hope You’re Happy”

thescore121halfstars

The Black Alex P. Keaton
  1. Thank God for FFWD, lol. I preview listened to this album on iTunes and it definitely didn’t fit my taste at all. I have always liked the idea of mixing Hip-Hop/Rap and Rock (to a certain extent) as I have found good in Jay-Z/Linkin Park’s ‘Collision Course’ and some other songs infused with guitars/Rock style (“Kinda Like A Big Deal”, “Supermagic”, etc.). But this album definitely showcases the bad results that can come from mixing the two genres together (maybe Wayne’s ‘Rebirth’ will be added to that list). As you mentioned, this album sounds too experimental with most of the artists (except Mos Def, Raekwon, Q-Tip, and Billy Danze) sounding out of place along side the Rock instrumentation.

    I think this was a creative idea by Dame as it’s something that has definitely gotten his name back in the mix of things on the music scene since the end of Roc-A-Fella and his beef with Jay, but I think this album would have been better strictly featuring The Black Keys as the artists releasing a Rock or Alternative album. Every time I heard the songs with NOE featured on them I immediately had to laughing seeing as how this is a project Dame had involvement in and how NOE’s vocal tone sounds almost exactly like Jay-Z (he’s like a poor man’s Jay-Z, lmao). 2.5 is a fitting score for this album, maybe I’ll download but no $$ is being spent on this one (sorry Mr. Dash).

  2. NOE being included on this album basically killed it’s credibility. Honestly, it should have been just Mos Def with The Black Keys as backup. That would have made more sense.

    1. Agreed, with Dame Dash being involved with this project, NOE’s inclusion just looks like a weak attempt by Dame to try to light the same spark that he had with Jay-Z. When Jay said “I heard muhfuckers said they made Hov/made Hov say okay so make another Hov”, I think Dame took those lyrics pretty hard since he will never be able to make/develop another artist/rapper to the level that he did with Jay-Z. It’s practically impossible to take NOE seriously as a rapper on any song he does just because he sounds like Jay and people are going to always reference him for their similar vocal tone. Yeah, Mos Def with The Black Keys would be a great fit since Mos had already displayed numerous times that he can make the Rap ‘N’ Rock music work.

    1. Lol, I guess that’s what happens when so many artists make shit music nowadays. FFWD’s is definitely gonna be a mainstay here at the ‘fro, I can already tell that just from how music is and what’s coming out (minus Clipse and a few others).

        1. Yeah that should be the case cause if it had arrived a week earlier ‘Pricele$$’ would have definitely been on FFWD’s. But I think some albums, regardless of their quality, are going to get full reviews just based of the artist’s star power and popularity like Wayne, Young Money, Gucci, etc.

          1. Call me crazy but I have high hopes for We are Young Money. Kinda disappointed that Drake and Nicki are both only on 4 songs on it tho (and we’ve already heard 2 of the Drake ones!).

          2. IMO, I don’t think ‘We Are Young Money’ will be anything different or interesting than what we’ve heard from them before or expect to hear from them. I think the album will do decent numbers sales wise based off the popularity of Wayne, Drake, and Nicki, but other than those three I don’t think people are checking for anybody else (maybe Tyga, Jae Millz…). The singles (“Every Girl”, “Bedrock”) from the album hit but outside of that my hopes/expectations aren’t high at all for the compilation, I’m expecting an average score for that review.

  3. man … i dont know what you guys are listening to . I float around most genres and I thought it was a great callabo album . bias comes in because ive been following the black keys for quite sometime . maybe i was just too hyped for it but i think there are some fucking BANGERS on it . never heard jim jones before even tho i pump mostly hip hop … sleeping on dude . his verses is some killer shit . as for the production i love it . good idea and good execution far as im concerned.nothing too flashy … simple rocknroll mixed with simple hip hop elements. good sound radiates. 3.75/5

  4. Let’s see, I dont’ know this album bored me a little bit. Apart from Dame Dash just putting Noe on the album, what did he really do? The production I’m digging a little bit, but my main conflict is that the album never really transcends from the usual guitar / drum set sound. Though it is quite organic, too much of a good thing is a bad thing, if you know what I mean. The verses are straight, but there are far and few moments in between where the album is truly atypical, and without interesting (A bit loose here) production, it gets boring fast.

    On a side note, Jim Jones actually impressed me a little with the bearable voice change that makes his voice actually listenable.

    Picks: Stay Off The Fuckin’ Flowers (Feat. Raekwon), Ain’t Nothing Like You (Hoochie Coo) (Feat. Jim Jones & Mos Def) (Hoochie Coo sounds like some shit Jones does, but he does decent on this song), On The Vista (Feat. Mos Def) (Definitely the better of the two Mos Def features, my favorite besides the flowers track), Telling Me Things (Feat. RZA) (There’s like no rapping, it’s like RZA singing? What?)

  5. Wow…lotta NOE bashing in the earlier comments. I actually like him. I skimmed this album on itunes and didnt really like any of the beats, but on rap songs NOE usually murders Jim, see Byrd Gang Money, Rain, How to be a Boss. I’d rather have him > Jones any day but yea being on a Dame project is too ironic to not make eyes roll

  6. Well I really liked the Pharoahe Monch/Rza track, more favorably so since I like both artists alot. Maybe I was the only one.

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