Ludacris – Battle Of The Sexes [Review]

I’m reaching back a bit and showing my age here but, “I remember when…” Luda was Chris Lova Lova on Hot 97.5 in Atlanta, and I’m not saying that from reading, I was in ATL then. I remember him announcing he was working on something with Timbo then he played it and wow. “Phat Rabbit” was comedy rap but it was evident that dude had talent. Here we are 12 years, 7 albums, and 11 platinum plaques since then, talking about his latest album.

Intro
Produced by Xcel
I’m typically over intros’ on albums. There was a time I liked to hear the artist set the table for the album but after everyone started doing it, and failing, I just got to a point where I’d rather them just get into the music. This intro however, I wished were longer. The beat is dope as hell and as an indication, this one is for the 12’s. Luda’s frenetic flow is at home over the Southern bounce of this Xcel beat. Not to mention that the call/response hook of “Now the ladies, they aite but they ain’t hittin’ on nothin’ do my fellas run this muthafucka ( helllll yeaaaaaa)/Now the fellas, they aite but they ain’t hittin’ on nothin’ do my ladies run this muthafucka (hellllll yeaaaaaa)” seems very appropriate based on the title.e.e.e.e.e.e.e.e..

How Low
Produced by T-Minus
The lead single off the album exploded onto the scene. He did this at the BET awards, and I remember being impressed by the song, his flow and stage presence on this one. This is def a club banger…strip or dance, take your pick, either club will do. Shout out to Body Tap, Strokers, Blue Flame, and of course, Magic City.

My Chick Bad
Featuring Nicki Minaj; Produced by The Legendary Traxster
Second single, and it appears we have a problem on our hands with this album. Not only has Luda set his sights on the club/strip scene HARD this time, he’s executing this with precision. The Legendary Traxster offers up simplistic head nod excellence on this track. I can hear ANYONE rapping on this beat easily. I do expect a few remixes of this track.

OK, I thought I’d pretend that I wasn’t going to mention my girl Minaj being on this song. Y’all know how I feel about her, so do I really need to say anything? OK, carry on.

Everybody Drunk
Featuring Lil’ Scrappy; Produced by DJ Montay
This song isn’t bad at all, a lot slower than the previous offerings and I think that is what turned me on it. We still get the southern bounce but it’s placed after two blazing songs and a incessant intro. It’s like trying to hit a John Tudor change-up after 3 straight Nolan Ryan fastballs. Still, I can see “Miracle” doing her thing to this one on stage.

I Do It All Night
Featuring Shawna; Produced by B Crucial & Tony Dinero
I’m not much up on the hip hop drama and backstory on a lot of things, but apparently, Shawna and Luda were going to do this entire album back and forth. Between then and now, she ended up “Disturbing the Peace” and leaving Disturbing the Peace. It’s a shame to, because her appearances on this album, starting with this song, are shining moments. To further cement the transition to slow songs after the heat of the first 3 songs, this one is offered up in the 5 slot. This is a pretty cool song, worth checkin’ out.

Sex Room
Featuring Trey Songz; Produced by Kajun
There are a few, very few, flat out sex raps that I like, so take my thoughts on this one with a grain of salt. It’s a cool sound and while there isn’t any beating around the bush on this one, no pun intended, this song is pretty elementary as far as lyrics and interest go. So, if you like overt slow sexual raps, this may be right over your alley.

I Know You Got A Man
Featuring Flo Rida; Produced by Infinity
I’m happy to hear the tempo pick back up with this song. I like the way Luda flows a little slower on this beat and changes his inflection for emphasis on his flow this time. What’s even more interesting than that is the fact that I don’t hate Flo Rida’s flow. Matter of fact, I REALLY like it. What in the hell…but yea, dude did a good job on this one. I would have liked to hear a chick flow in response to the fellas to complete the song rather than just being on the hook, but I can’t hate this song at all.

Hey Ho
Featuring Lil’ Kim & Lil’ Fate; Produced by Khao
Yes indeed, we have another club/strip club murderer on our hands. The hook may incite a riot and some spike in alcohol abuse and slapping incidences, but I’m sure there will be an dramatic increase to the number of women that dance and ignore the word “Ho” being chanted when this one comes on. Lil’ Kim goes hard for the ladies asserting that they cheat better than men, and she’s right. I could go without Fate’s verse and just got longer offerings from Kim and Luda though.

Party No Mo
Featuring Gucci Mane; Produced by Bangladesh
This beat is no “A Millie” by any means. In all seriousness, outside of the deep bass, I don’t like the track. The hook is terrible and it’s essentially a bland offering. Problem with that is that Luda really brought his A game lyrically on what is, essentially, a throw away song. He saved it from being a skip with lines like “Ya got mo’ dough, then homie ya gon hafta show me/You never say it rains like Tony Toni Tone/My Chevy’s outside and it’s sittin’ on Kobe’s/And I keep the hood with me like Obi OneKenobi”.

B.O.T.S. Radio
Featuring I-20 & Shawna; Produced by The Runners
I’ll let the cat out of the bag on this one right now, I-20 killed this song hands down. He went with straight bars, no metaphors or extra reliance on similes and wordplay, just flat out lyrics that work and flow. Luda and Shawna do good jobs, but he really set this song off. Musically, it just sounds like an extended intro or interlude that never really takes off. It goes with the concept of the song though so it works.

Can’t Live With You
Featuring Monica Produced by Khao
I have a feeling, that with Monica’s own project coming out, and the radio friendly vibe of this song, this will be the next single if there is a next single. There’s something off or flat about the hook on this one. Everything else is a nice song and is basically a blueprint of how to make a good song that is radio ready.

Feelin’ So Sexy
Featuring Shawna; Produced by Gaggie
We already discussed how I felt about overt sexual rap songs right? Ok…this is another. As you were.

Tell Me A Secret
Featuring Ne-Yo; Produced by Swizz Beatz
Um, a Swizz Beat? This song is damn near an R&B track. I’m impressed he can do something like this. Now unlike the previous songs sex raps on this album, I dig this one. The smooth laid back flow of Luda’s delivery, the beat, and Ne-Yo’s singing on the hook really make this a good song.

My Chick Bad (Remix)
Featuring Diamond, Trina and Eve; Produced by The Legendary Traxster
LADIES. Why you wait for Luda to coordinate this shit? The beat, as discussed, dopeness. The ladies flow and arrangement, insane. How is it that my flat out fave song on the album is the chicks version? I don’t know, but Diamond set it up nicely. Trina comes on and does Trina, you know what you’re getting here. Eve shocked me with not only her appearance on the album, but her verse. She finishes this one off nicely. Dope remix.

Sexting
Produced by The Neptunes
By definition, this is “Phat Rabbit 2010”. This song is a parody of Tiger going to sex rehab and the message he left one of them chicks about taking her name off her voicemail. Now, it doesn’t go along with the album sound like, at all. But it’s a really fun song and is a LOT more creative than the sound would make you think.

Bottom Line:
The title of the album is a bit misleading I think, but the fact that Luda features so many features on this album (15) and doesn’t lose in the expected quality of his music is a win. If you look at his record sales, he’s been fighting the battle against the download phenomenon as is languishing as everyone’s favorite underrated rapper. While his Conjure mixtape left a bad taste in our mouths, this album is definitely the right night cap for your evening. From the crib, to the club, the the car, the crib, it takes care of you quite nicely.

nappyPicks: Support the South’s secret weapon

Download: Ludacris – “Sexting”
Download: Ludacris feat. Diamond, Trina, & Eve – “My Chick Bad (remix)”
Download: Ludacris feat. Pitbull & Ciara – “How Low (remix)”

The Black Alex P. Keaton
  1. I’ll give it a 3.5 at the most. The album wasn’t that bad though but I wanted to hear Shawna because she can rap.

  2. This album is straight old school LUDA. No Release or Theater BS, just straight SOUTHERN HIP HOP. Listening to this brought back memories too of Incognegro, Back for the first time, and Word of mouf. Back for the first time STILL has LUDA’s best song EVER=”Game Got Switched”

    “I put too much sugar in mah KOO-AID/and party like a kid with a HIGH TOP FADE!”

    hahahaha CLASSIC!

  3. this album suprised me, i heard the singles and they were both rly good and shit but i didnt expect the album to be great overall. in my opinion its a win and yes for this type of music it deserves its 4. LUDA!

  4. I remember those times too Saule. Him and Poon Daddy. Future Flavaz…ring a bell?

    Dope review as always.

    Niggas need to understand that you can’t compare every album to Illmatic or Ready to Die. Things have changed. What you got for a dime in 97 ain’t what you getting in 2010. the game has changed.

  5. Yeah, the album was pretty good for what it was meant for. I thought I wouldn’t like it, but the beats did it for me. Plus the R&B hooks.

  6. LMAO!!! damn you guys are on a rll with the four stars lol!!

    im not gonna write two paragraphs on this one because im in mid-term study mode but this imo definetely does not deserve a 4…

    I may sounds ignorant and sexist but in no way can i listen to this many damn girl verses and yet alone it be a 4 star album…..

    anyways good review for what it s though as always!

    *goes back to bumpin’ there is no competition 2*

  7. I really have no complaints about the calls for 3.5 instead of 4. I think a 3.75 would fit this album nicely personally. I enjoy the album though, and like i said, while the slow jams joints aren’t my steez, they aren’t bad, just not my thing. This is a high quality album and will be one of the few albums that gets burn year long from most people I suspect.

  8. This album surprised me because it was better than I expected it to be, especially with the fucking banging singles, specifically How Low and My Chick Bad, and also Hey Ho. Actually, those three singles are probably the best songs on the whole album, though there are some decent songs in there too, specifically Everybody Drunk, I Do It All Night, Can’t Live Without You (A lot of bass than I expected), Tell Me A Secret, My Chick Bad (Remix), and Sexting.

    Though the album is alright for what it was, it does get kind of boring. Shawnna does have talent for a femcee (singer? Yeah right), and I would’ve liked to see what would’ve happened if she actually took the femcee duty on the album. Also, the production isn’t really that great, it’s actually below average for the most part, borderlining with a snooze-fest synths, pianos, strings, just executed terribly. This pretty much occurs with the overtly emphasised sex songs, and some of the boring songs like I Know You Got A Man, Party No Mo (Production is A Milli – what made it good), and just kind of winds on as it goes on.

    Just because you can make a song about women / getting crunk / whatever it is, no matter how good of a emcee you are, without the proper production then it’s going to sound straining, because the listener most of the time can’t bear it. Ludacris actually had some good ideas and some ideas executed well (Think How Low, My Chick Bad, Hey Ho, Sexting) And after all, we don’t really like to listen to straight acapellas, I can just listen to my teacher talking during school.

    Though it’s interesting for Luda to try this, in the end it’s a flawed effort, if he had stellar production like My Chick Bad and How Low, ones that work with his fire-paced flow and his Lil-Wayne-esque metaphors (except his makes actual sense), then this album would’ve been very enjoyable. But it’s… lackluster, though a lot better than I thought it would’ve originally been

    Rating: 2.5 / 5
    Picks: How Low, My Chick Bad, Everybody Drunk, Can’t Live WithOut, My Chick Bad Remix, Sexting

    1. Agreed. 2.5-3 fits this album better, I don’t see how people like this over Theater of Mind considering Theater of Mind was a great album(besides the female tracks).

    2. I can agree with this review. Good shit. I liked the production though, but maybe ’cause I’ve heard the album in snippets. I still have to listen to it properly to see what my real opinion is.

      Side note: Is that song “Deep” by Elzhi going to be on a new album or what?

  9. My favorite thus far is “Sex Room”. Loving the old school vibe with the smooth voice of Trey Songz collaborating with the hard core tone of Luda. Nice groove with a laid back feel.

    1. just think about it.

      also this can be answered with a quick google search along side the name Atlanta.

  10. How come when people don’t agree with 4 stars it means that people are still stuck in 1997?? Just because its released by certain people or just because we are in 2010 we suppose to accept anything. The album ain’t bad its a 3.5 for me. If certain artist didn’t set the bar high then maybe it’ll be different. Ludacris always been dope though. Theater Of The Mind wasn’t all that to me but I did like Chicken & Beer, Back For The First Time and so forth. Remember I’m a Project Pat fan even though his last few albums been garbage.

      1. Dude whatever and you’re still my homie but we are all entitled into our opinion just like you thought Nas “Untitled” was garbage and it wasn’t garbage. Thats just like saying since Soulja Boy is younger and new I’m suppose to support him, nope! I have to feel his music like I felt Triple 6 Mafia, B.G., UGK, Pac, Big, and so forth. Ludacris is good though and a 3.5 is good for me.

          1. Nas album was good though. I don’t listen to it everyday but I do bump it though.

            Hes not my cup of tea man. He will get no bump in the old school cutlass my nig. I don’t think I would like his stuff if I was a kid growing up in this era. Now the Project Pats, the B.G.s, the Kilo’s, the Pacs, the snoops, the Outkast and shit like that then yea. I like lyrical artist as well but not all the time but Soulja Boy isn’t my cup of tea. Its that simple and I don’t think I’ll ever like his music, he might be cool as a person though. You know something a lot of rappers nowadays I can’t take serious anymore. Its like a soap oprah nowadays.

          2. When I mention Kilo I mean from when I was a kid back in the day. I use to like his stuff back then.

        1. Co-Sign. That Nas joint was fantastic!
          Some say “boring”, to that I say that they don’t know how to Listen.
          Hearing a track and listening to it are completely different things.

  11. If I was a love bug maybe I’ll like the album better but since I’m not married or not in love then its a 3.5 for me and thats good since its not a R&B record. Boxing & MMA is my love right now.

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