Weezy No Classics?

 

What makes a rapper legendary? It seems that this is a question that has been getting thrown around the Fro a lot as of late. Someone made the point that it takes at least one classic album. Is that really true? Does Run DMC really have a classic? What about Pac? What about Lil Wayne? Regardless on my feelings of Lil Waynes discography, many will argue Wayne hasn’t dropped a classic. Many will say that the Birdman Jr. is not the type of Emcee who should be respected as a top tier artist. Now we all know Wayne, and his crew, have helped change the game in the past 5-6 years. I often compare Wayne to a young Jay-Z. I said this one time and people went crazy. Some feel that the only way Wayne is even similar to Hov is  their last names. Think about it, Wayne boosted into the stardom and turned around and put his team on, who also has had unbelievable success. Jay-Z did the same thing in the 90’s. I am getting off subject a little. This piece is suppose to go over Wayne’s discography, albums as well as mixtapes. Lets get into it.

Get It How You Live It (1997)

At this point Wayne played his position. He was the creative kid who made sounds, and often found himself on the hooks. Still something about him stood out.

Guerilla Warfare (1999 – US Platinum)

This album may have gained Weezy enough popularity to lead Baby to give him a solo album. One of the highlights of this album was Wayne’s solo “Clear Tha Set”.

 

 

The Block is Hot (1999 – US Platinum)

This is Wayne’s intro to the world as a solo artist. He was already known for his work with The Hot Boys and with each artist individually. Here is where we see the star like quality Wayne possess though. He was by no means the most lyrical rapper out, but amongst his peers, Bow Wow, Zhane,and all the other “Teeni Rappers” at that time, he was the standout. I remember once I was at a magazine store and the cover had Lil Zhane, Lil Bow Wow, and Nelly with the words “Hip Hops Future.” How wrong was that magazine?

 

Lights Out (2000 – US Gold)

This album was recorded during a time of turmoil. The Cash Money crew was about to break up and Wayne knew it. The crew tried to put on a front like everything was OK but it clearly wasn’t. Wayne definitely showed growth on this album. Although you could see Wayne had improved on his lyricism, he still had along way to go.

 

500 Degrees (2002 – US Gold)

This was recorded at the lowest part of Wayne’s life thus far. The Hot Boys were over, and all of the pressure was on Wayne to be the star of Cash Money. This album was a mirror of his new anxiety.

 

 

Let Em Burn (2003)


This album was forced. The group had already disbanded and Cash Money took a lot of old songs and called them an album.

 

SQ1-7


I grouped these together, because honestly they have a lot of repeat songs on the cds. Wayne does show glimpses of greatness on these tapes though.

Da Drought (2003)


After a disappointing outing with 500 Degrees, Wayne starts off his mixtape grind. We were clueless to how much work Wayne had planned.

 

 

Da Drought 2 (2004)


Weezy F. takes shots at NaS and 50, but the rest of the tape is easily forgettable.

 

 

The Prefix (2004)


This is the Tape where, in my opinion, Wayne finds himself. It is also quite obvious Jay-Z is his favorite rapper with mostly Hov Beats to rap over.

 

 

Tha Carter  (2004 – US Gold)

This was Weezy’s coming out party. Songs like “Go Dj” and “BMJR” showed lyrical growth, along with an unbelievable swagger. This woke up the nation, and almost led to Wayne signing with Rocafella.

 

 

Dedication (2006)

Right after Tha Carter, Wayne gets together with DJ Drama to drop the world a jewel. This tape is dope.

The Suffix (2005)

Wayne decides to get with Khaled and drop the follow up to The Prefix. This tape along with Dedication is also intended to show off new artist Curren$y and Mack Maine.

Tha Carter II (2005 – US Platinum)

Although many people will question if this album is classic or not, to me it definitely is! Wayne had already proclaimed to be the best, and this album made many a believer. His selection of raw, untamed beats with sizzling rhymes makes this arguably Wayne’s best album yet.

Dedication 2 (2006)

I said C2 was a classic, well so is D2. This tape has Wayne going in. Drama picked a great group of beats to let Wayne shine on. His ambitions and spitter are incredible.

Blow I Can’t Feel My Face Prequel with Juelz Santana (2006)

Before this I had no idea Santana had the ability to keep up with Wayne. Both had some nice verses. Ultimately, this album only makes us Hip Hop lovers mad that I Can’t Feel My Face isn’t coming.

 

Like Father, Like Son with Birdman (2006 – US Gold)

Okay! I can’t deny some of the things these two do together are a little skeptical (Wayne smooching Baby jokes inserted here) but this album had some great material. “Army Gunz” showed that Wayne still can get better.

 

 

Lil Weezyana (2006)

This is Wayne’s most slept on mixtape. There are tracks where he makes you forget that the project was intended to give his artists shine.

Da Drought 3 (2007)


Wayne decides to finish the Drought trilogy with a double disc filled with witty lyrics, slick punch lines, and classic material.

The Leak Ep (2007)

Wayne picked five songs that were originally slated to be on C3 that leaked onto this Ep.

Tha Carter III (2008 – US Platinum 3x)

No lie,  this album was kind of disappointing even with crazy sales records. There are two big reasons for this. First off, the anticipation was so sky high, there was almost no way Weezy F. could accomplish this tall order. Secondly, Wayne’s camp had more leak, than Timberlands camp. Jerm and I discussed this a while ago, that had those songs not leaked, Wayne may have had a classic.

 

Dedication 3 (2008)

This was the first official tape since the majority of his music was leaked from Tha Carter III. He had seemingly gave up on the mixtape grind, but Barrack O’ Drama talked him into giving the people what they wanted…sort of. Wayne was on Auto-Tune overdrive at this point and it hurt this project.

We Are Young Money with Young Money (2009 – US Gold)

This was a nice way for Wayne to shine light on the rest of the crew. Although he sometimes steals the show, there are still opportunities for the rest of the crew to shine.

No Ceilings (2009)

Classic! If you didn’t think Wayne brought it on this tape, you’re just a hater.

Rebirth (2010 – US Gold)

He thought,  “I live like a rock star, why can’t I make Rock music.”  This had an unbelievable song in “Drop the World” but the rest were average at best.

I Am Not A Human Being (2010 – US Gold)

Okay on first listen, I thought this was terrible. After letting it ride out though, I noticed the worst part of this album (which should be considered an Ep) is the song placement. Wayne had some jewels on here.

Now With Tha Carter IV on the way, how should Wayne approach it?  Should he focus on making a CLASSIC album? No! Wayne has plenty of classic material: Tha Carter II, Dedication2, and Da Drought 3. I feel like Tha Carter IV may very well be the most important project of Waynes career. Remember, Wayne should have matured enough to speak on multiple subjects. Hopefully Wayne can put out a really good piece of work and this album doesn’t turn into No Mercy by T.I.!

 

  1. Personally I forgot about a lot of these records you posted, but I still don’t feel that any of them are Classic or Legendary. They just fall short of say Ceritified Classics like Illmatic,Ready To Die and Low End Theory. And Hood Classics like 400 Degreez.
    Get it How U Live is probably closest though.

    Plus Run-DMC’s self titled was the first classic rap album and Pac has All Eyes On Me, Strictly for my N.I.G.G.A.Z., and Me Against The World, as his arguable classics.

    1. Pac has arguable classics, but none of em are certified. Wayne has changed the game. His mixtape grind and work ethic are rivaled by few. His discorgaphy is bigger than any other top teir emcee. Wayne is one of the best all time.

      1. Wayne definitely has changed the game, feel you on that, I just think his albums are like Pac’s arguable classics. I mean Juvenile can’t hold a candle to Wayne at all, but 400 Degreez was a classic.

      2. Pac albums are certified classics man. Maybe not to you but they are on magazines and etc. They always claim how Me Against The World is classic and showed Pac growth. All Eyez On Me and Makaveli is definitely called a classic. Makaveli production on that album is so advance for its time….

        1. Gotta agree w/ Me Against The World, All Eyez on Me and Makaveli being certified classics.

          Weezy definitely changed the game, but I can’t call any of his albums classic material.

        2. I already believed Pac’s albums were classic. I just know everybody doesn’t feel that way and I respect that accordingly. The three I mentioned were definitely classic material.

  2. Shit, I hadn’t even heard of a lot of these mixtapes. The only album I think is “classic” status is maybe Carter II just based on the impact. I don’t think he has any classics based solely on the songs of an album.

  3. Actually Dub people started noticing Lil Wayne more on Back That Azz Up and when the video came out thats when people really wanted to hear a solo from Wayne. I liked Wayne then too but I was more of B.G. and Juvenile person especially B.G. since his music was raw and he didn’t front when he admit he had a coke habit.

    Get It How U Live is definitely classic in my opinion. I bought that album a long ass time ago and still have it. They was making some serious heat now and now they are more of a pop label smh.

    Lil Wayne put in work though. I didn’t know the actual Juel Santana project leaked…. I’ll have to check it out though. By far 500 Degreez is Wayne worst album and Lights Out wasn’t that good too. I’m still mad I spent my $10 on that album in 2000.

  4. Also True Story (1995) is technically the first album. Even though it is Wayne (age 12) and B.G. (age 14)… They was called the BG’z (B.G. took the BGz name later and then dropped the z off of it) but in 1999 when Universal let them re-release some of the underground albums they decided to say True Story is a B.G. album since B.G. is on all of the songs and Wayne is only on 3 tracks since around that time he shot himself in the chest.

    1. I know True Story is technically the first album, but like you said BG pretty much released it as his album. Although it may not have been intenional Wayne was looked at as a feature, not the main attraction on that albume.

      1. True. Wayne was definitely more of a feature in my opinion. Back then you can see the talent Wayne had as a preteen even B.G. had talent back then.

  5. OK dude really, was a Lil Wayne praise article really needed. You calling this bullshit he makes classic is a little too much for me

        1. Lol that sounds like hate to me. I love underground artist, but it doesn’t mean I can not appreciate artist in the lime light

  6. IMO Wayne doesn’t speak on enough subjects, most of the time he just talks about pussy, money and weed. I think that holds him back a lot, also a lot of his wordplay is elemntary “Jump you like some jumping jacks” <— Wow that's some best rapper material right there..
    With that said he has also made some great and sometimes even amazing songs. Dedication 1 & 2 (but especially one, I SLEPT hard on that one) & C2 are awesome. I need to listen to more of DD3 and idk if I'd call No Ceilings a classic but it was very good, definitely his best thing since DD3.
    Hopefully on C4 we get more songs like Tie My Hands and Dr. Carter, less songs like Phone Home, and NO songs like Lollipop

    1. Listen 2 Ambitionz on D2. Thats 1 of his best displays of wordplay or the first song off D1. The Wayne now fokuses mainly on metaphors. He use 2 have wordplay AND metaphors. Idk what happened.

  7. I like wayne and yeah he did do alot and change the game but to be honest the Carter 2 was his only true classic but thats my opion

  8. Wayne is a good rapper but alot of his album materail doesn’t hit hard enough to be called classic. if he had more songs like “trobule” ther might be a chance; plus his flow is gone he just puts metaphors together and cals it a night.

    1. That’s what I’m saying Sway. You hit that dead on the dead. He’ll never have an attempt at a classic album now. He changed too much.

  9. I remember when I was a little kid livin in NOLA and Tha Block Is Hot came out. OMG, you heard had that EVERYWHERE!

    On a side note, to each his or her own but that I Can’t Feel My Face prequel was RIDICULOUS! Somehow, Bonifide Hustler and Burnin Rubber STILL find their way on IPOD.

  10. Great article, although I think your underestimating the importancce of Lights Out and the Sqad Up mixtapes. Especially the Sqad Up mixtapes. That’s where the progression in flow and lyrics really started.

  11. I made a Carter III album with the leaks and a couple songs off the original album. I was going to write a review but the font box in the reviews fucking up so…o well.

  12. The closest thing he had to a classic album was Tha Carter 1. The rest of his music was moreso hot for the moment type of material. Outside of his diehard supporters, how many people even want to hear Tha Block is Hot or 500 Degreez? Nobody is going crazy trying to find Lights Out. I had more Weezy on my iPod than I can even name but trust me he’s nowhere NEAR a legend. He simply lacks consistent content in his music.

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