Are We In The Golden Age Of Hip-Hop?

KDot

Hip-Hop is truly a wondrous thing. I fell in love with the culture as a whole about four years ago. I was the typical radio listening teenager who loved to hear repetitive choruses with no deeper meaning. Thankfully, modern artists pulled me out of that trance and introduced me to a whole new world of music, a beauty that I didn’t know could ever have existed.

Many of my fellow Hip-Hop heads love to contend that the culture was in its prime in the 90’s. With artists like Outkast, the unforgettable east coast MC, Biggie Smalls, Big Pun and the one name I cannot fail to mention, Tupac. I am going to boldly disagree.

With the amount of upcoming artists in the past four years, the realization that we are in the golden age of Hip-Hop is inevitable yet many people will not accept it. The amount of Hip-Hop heads that are stuck in the past and unwilling to accept new styles is quite ridiculous.

The genre back then consisted of impressive flow and lyrics but did lack in one major area, production. The beats presented in the birth of Hip-Hop tended to remain repetitive, they never varied as much as most do now.

Take, for example, “Pusha Man” by Chance The Rapper. The then 20 year old MC dropped this song along with his free mixtape, Acid Rap (a classic in my opinion) and pulled something so crazy, people were frantic for more. Midway through the track, a 30 second pause ensues followed by a dark melody that Chance soothes the listener into. He provides two skillfully written verses along with a catchy chorus and Nosaj Thing, the man who can take credit for creating such a masterpiece, adds ANOTHER beat change in the outro to the track. Back in the 90’s, no producer could do this. Their primitive equipment was not capable of creating such a thing of beauty.

Another aspect of Hip-Hop that I would like to touch upon is variety. The early years of the genre lacked in variety. Sure, we had our typical sad songs to get us through our darker times but did we have artists who speak on extraterrestrials and planets? Did the 90’s harbor a plethora of rap groups that spoke on unspeakable topics? Did the 90s ever introduce new ideas and conspiracies to the listener? The answer is simple, no.

Nowadays, we have Odd Future delivering genius concepts and ignorant noise rap when necessary. We have Ab-Soul for the times when we want to feel intellectual or mourn for the death of his long lost love. We have Dizzy Wright for when we want to feel a bit more positive about everything that surrounds us.

Overall, the 90’s were the epitome of Hip-Hop. That decade receives a little more credit than it deserves but it does merit a piece of the pie. Without the 90’s, we would not have the artists and musical influences we do today, but as an avid Hip-Hop listener, I can only ask the people to do one thing and that is to listen.

Just because we had a few years of Hip-Hop in a coma does not mean that it is dead. We are in the golden age of the genre and we’re letting it pass by because we won’t stop to smell the roses. Take some time and listen to Control System, good kid m.A.A.d. City, Acid Rap and Man on the Moon II among many other great albums. Realize that we are in the middle of the Hip-Hop age of enlightenment. Open your ears.

 

  1. While I agree with you that there are still great artist in today’s landscape and people all too often bash the music out today without even listening theirs no metric out there that can quantify that this current era of music is better than the 90’s. If your talking about variety there was sub genres of genres. Just for example in gangsta rap New York kingpin rap was different than west coast gangsta rap, which was different from southern gangsta rap. Hell, Wu made their own kind of gangsta rap and infused it with karate movies. Outkast on the intro to Return of the Gangsta had Andre say y’all niggas cool with guns and drugs but what about when niggas wanna talk about outer space and time traveling. Conscious Rap was at it’s peak then with Black Star, Pharcyde, the Fugees, etc. Too much to name bruh but you might need to do a lil more crate digging.

  2. And I love Acid Rap, but idk if it’d crack my top 50 rap albums in terms of importance to the game or level of skill.

  3. I think everybody feels their generation produces the best music and that’s understandable. But to say that 90’s Hip-Hop didn’t speak on unspeakable topics or new ideas or conspiracies is laughable. I don’t think this generation right now has any artists that are equal to Outkast or Eminem or Jay-Z or Tupac or Public Enemy or NWA or BDP (All artist who spoke on unspeakable topics or new ideas or conspiracies). And while some artists from this generation will reach greatness, it’ll be harder than ever before seeing that music is probably the most disposable it has ever been.

  4. 90s by far the best decade for hip hop. 1998 was the best in terms of money being generated and album sales (Master P, Jay-Z, DMX, Juvenile & so forth). As for saying producers back in the day couldn’t do a beat change is ridiculous…. You really need to do some crate digging… Mannie Fresh, DJ Paul & Juicy J and others was on some other shit. The type of trap beats that is being made nowadays is influenced from Three 6 Mafia, Lil Jon, DJ Squeeky and so forth. Nas alone is why the 90’s was the dopest decade for hip hop. So many gems was dropping then and the music videos then was more creative some were movie like in a way such as DJ Polo & Kool G Rap “On The Run”. That video was dope as hell. You couldn’t make a video like that now without it getting banned on TV. It was more edgy back then. Yeah people then rapped about bitches, weed and money but they did it their own way with their own sound. You didn’t see a lot of albums with the same guest feature. Nowadays just about every album have the same guest artist. It sound more like a compilation album than the actual artist album. It is some good stuff out now but this decade by far the weakest so far and next would be 80’s… Late 80s was dope though….. 2000’s would be the next best with 90’s being the best

  5. I stopped reading right here: “Hip-Hop is truly a wondrous thing. I fell in love with the culture as a whole about four years ago.”

    FOH

  6. I have to say, as someone born in the 90’s, that we’re currently in a gilded age of hip-hop, for precisely the reasons you mentioned. I may have to come out of semi-retirement to write a response.

  7. This what you li’l niggas want now, nerd raps and beat changes? Get the fuck outta here and stop tryna rewrite and disavow history. Ab-Soul is dope, but his beats could be tighter period. “Acid Rap” and Chance The Rapper? Sorry, but grown-ass men ain’t tryna hear that shit with that voice. Buy his ass some medicine and keep it moving. DW’s dope, too, but he runs with a faggot in Hopsin. “good kid” is a classic, fuck what anybody tryna be contrary says. I dig that 2nd Cudi, but I can’t play it with no jawns. OF? I respect their movement, but I’m grown. I ain’t hearing most of that @ all. Golden age? No. You’re not doing better than Dot, Big KRIT, and Freddie Gibbs. Show vets respect.

  8. I agree that hip-hop is pretty good at the moment but i think your argument about the 90s was a little skimmed over. You can’t really say that the 90s didn’t introduce anything new to the game. I’m so conflicted about this article because I do agree that too many people are stuck in the 90s but then again that decade was big for hip-hop.

    The 1990s showed that rap music was here to stay and it wasn’t just a fad. Artists became bigger and more influential. Artists really started growing into their own and had more versatile sounds. Only Built 4 Cuban Linx sounded nothing like Return to the 36 Chambers and those two artists were from the same city and same group.

    But just so I’m not picking on you I do agree that the new music now has a very honest approach to it as artists aren’t putting on a fake image as much. Guys like Drake, Kid Cudi and Childish Gambino aren’t trying to be hard and cater to a new breed of rap fan.

    I think what you say about contemporary rap music is a good thing, but just leave the 90s out of it next time.

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