Lupe Fiasco – Lasers [Review]

I’m back at it again! It has been awhile since I have reviewed an album, the first quarter is always kind of dry. Now I’m back at it reviewing one of the most anticipated albums of the year.

Lupe Fiasco is easily one of the most introspective artists in our day, maybe even all time. He has put out two albums that are critically acclaimed, while finding ways to keep his music charted with hits like “Kick, Push”. Even with that being said, the recession of record sales has effected the Chi town emcee as well. With Atlantic Records unsure if Lupe could sell in this day of “Gold being Platinum”, his album was shelved for almost four years. Lupe proved he has an undeniable fan following though, as people protested the album being shelved, and ultimately we have been given a release date for Lupe’s next album. He managed to keep his name buzzing with threats of retirement, and even “beefing” with everyone’s favorite former teeny bopper, Soulja Boy. Anyways we have waited for almost four years for this album so I won’t make you wait any longer lets get into the music.

1. Letting Go
Featuring Sarah Green; Produced by King David
Lupe starts off the album rhyming over a sultry beat. The topic matter is interesting, he speaks on being tormented a lot. This isn’t how I expected the album to start. He seems conflicted on this song. The end of the song finds Lupe reflecting on his time in the industry.

Tired of all the wardrobe changing/Playing all these extra roles/Filled with all these different spirits/Living off these separate souls/This sounds like a song I expected to hear on LupE.N.D. It is an interesting way to start off the album.

2. Words I Never Said
Featuring Skylar Grey; Produced by Alex Da Kid
Political rap at its best. The first line really catches your attention, ” I really think the war on terror is a bunch of bullshit”. Although I don’t agree with everything he spoke on for this joint, but I respect the fact he decided to speak on his political views. He also spoke on the people in power who refuse to speak on these matters, “Just listening to Pac/Isn’t goning to make it stop” and “I think all the silence/Is worse than all the violence”.

3. Till I Get There
Produced by Needlz
You will notice that the production on this album isn’t the norm for Lupe and this song is a prime example of that. This sounds like something the radio would eat up. The hook is also very radio friendly and I would be willing to bet this is going to be a single. Luckily Lupe doesn’t disappointing with the actual verses. He starts off with “Album on hold/The whole world on hold”. I can’t remember the last time a rapper described how he felt during an album being shelved so well. The first verse describes how Lupe felt.

4. I Don’t Wanna Care Right Now
Featuring MDMA; Produced by The Audibles
Not feeling this one. The production throws it off completely. Lupe also used a “stutter” flow through a good portion of the song. Some people will like this, but for me it is a SKIP! This is more will.i.am than Lupe.

5. Out Of My Head
Featuring Trey Songz; Produced by Miykal Snoddy
Trey Songz on the album? I wonder what this is about? Of course this is dedicated to the women. Lupe goes in on the verses about being smitten over a young woman while Trey kills the hook. There isn’t really any surprise here.

6. The Show Goes On
Produced by Kane Beatz
The first single off of the album. Before this came out I thought Lasers would end up like Detox. The song had to grow on me a little bit; at first I wasn’t really feeling it that much. The message in the song is really dope though:

Say Hip-Hop only destroy, tell ’em look at me, boy/ I hope your son don’t have a gun and never be a D-boy

7. Beautiful Lasers (2 Ways)
Featuring MDMA; Produced by King David

Sometimes living in a world like this
Is pretty hard not to go insane
Not pretty if you don’t comply
Pretty easy if you don’t complain
Stand there like you don’t feel pain
No tears in the face of defeat
Pretend to the end that you don’t feel change
Don’t admit that your faith is weak
Don’t say that you feel like dying
Life’s hard and it feels like diamonds
Going homes just far too gone
Much too late to even feel like trying
Can’t understand what I’m saying
Can’t figure out what I’m implying
If you feel you don’t wanna be alive
You feel just how I am
I’m on the dark side
And you cant come find him
How when it’s light all around you
Yeah but its dark all inside him
No winner when its me against me
One of us ain’t gon survive
My heart been broke for a while
Yours been the one keeping me alive

I never really considered Lupe to be a tormented artist, but this is the second song on the album where I get that vibe. In the second verse he even sounds like he has contemplated suicide (At least to a small degree). The production on this song isn’t nearly as poppy as the songs before. It has some real grit to it.

8. Coming Up
Featuring MDMA; Produced by King David
This song has the album back track to the poppy production. This is a feel good song. Lupe is expressing the idea that no matter how hard things are or have been, there is a chance to make your life better. This is a good topic, but the poppy beat turns me off from it.

9. State Run Radio
Featuring Matt Mahaffey; Produced by King David
Here Lupe speaks his mind on the problems with the radio stations. He has a problem with radio stations not speaking on important world topics, every rapper having to make radio friendly music to survive. I find the latter ironic because the majority of the album has a radio friendly vibe. Not feeling it.

10. Break The Chain
Featuring Eric Turner & Sway; Produced by Ishi
This beat sounds extremely familiar but I couldn’t find out if there was any sample on it. Still sounds different from the rest of the album. This is more of what I expected the album to sound like. The song is about change. We are all prisoners to our habits our desires, and sometimes the actions of those who influence us. It takes strength to break those chains, at least that’s what I got out of this song.

11. All Black Everything
Produced by The Buchanans
This is a concept song. It questions how would the world be if Africans would never have been enslaved. It is okay.

12. Never Forget You
Featuring John Legend; Produced by Jerry Duplessis, Syience, & Arden Altino
This is a nice slow beat, and it ends the album on a high note. John Legend kills the hook while Lupe is reflecting on his life.

Everything cherished, remembered in my heart/So you will never perish, you will never part/I tell ’em all about you, drummin’ in the park/We put you in the ground, but I see you in the stars/Go’n, take a bow, a round of applause/The best that ever, always ready we are/Love always shines, that’s how I’ll find you/In case you forgot, I hope this reminds you

Bottom Line:
We all know that Lupe is an amazing lyricist. He can make a dope song in his sleep, but on this album he tried to do something a little different. Most of his beats sounded very poppy. Although the idea of putting deep lyrics on top of beats that radio stations would eat up is interesting but it doesn’t fit. I feel that this is a step backwards. this album sounded forced a lot. Shout out to B-Easy, this album was kind of hard to listen to at times, and is one of the hardest reviews I have had thus far. B reviewed The Cool, and although I feel that album is better than Lasers, I couldn’t imagine having to review a 20 song album by Lupe is a lot. I know I am going to get a lot of hate for this.

  1. Good Rev Dub, but I cant believe you said All Black Everything was hard to listen to. Is Lupe even done with his contract at Atlantic or wherever he’s at? Cuz if not he could be done unless he gets freedom to be himself

    1. I should of explained that better, it isn’t a bad song but after listening to the album by the time you get to that point it is hard to listen to.

  2. This album is definitely forced and I don’t think these are the songs Lupe wanted to put out. More of a 2.5 for me as well or 3.

  3. Classic example of a label raping an artist soul. These rapper have to learn that major labels arent always the way to go

        1. @Blaze I would say proably about only 5% of artists that have a success rate with major lables as far as not gettin theirs souls stolen or end up broke or taken advantage of. Rappers need 2 learn to save their own money and promote and market their own products. Think about it why does 50 cent need a major label anymore? Why does Jay still need a major label? These guys are for some reason satisfied with being a slave and working for someone else when they could put just as much money up as the majors can. As far as up and coming rappers there is a extremely small sucess rate with major labels. If you already have a fan base like Wiz did I think they should just stick independent and make that money because they already can without the majors. And most majors arent promoting like that anymore so your putting yourself in debt for nothing when you could have been pushing yourself and be making money hand over foot if you just thought about the math. Someone I remeber described a record deal as just a bad loan, do you know how hard it is paying of a bad loan? Just go independent you might sell less but if you can keep yourself hot you will make more money. Example:Tech9ne and many more

      1. Yeah your right Nas has found a way to do it, Lupe has to do the same or go to Asylum or Koch or something like that

  4. Yea this cd is definetly not his real Lasers album, very dissapointed how he was forced to do this. 3 years of waiting for a pop cd that isn’t even gonna sell that much more than if he did his regular lyrical thing. Atlantic records just sucks

  5. Yeah I wasn’t feeling the beat on a lot of these songs, I feel like some of the beats weren’t Lupe’s choice, here is the live version of Beautiful Lasers which I think is much better http://www.youtube.com/watch?v=I8DTBiSUVhM&feature=related
    Also I think Atlantic may have made him cut some songs or maybe he decided to but I would have loved to hear this on the album http://www.youtube.com/watch?v=rrLiqpCzzNI (The lyrics start about 40 seconds in)

  6. Throw this shit out the window. Use these discs as coasters. 2011 we don’t do that, we off that.

  7. This album is garbage and let me tell you, I never, and I mean NEVER expected myself to say that about a Lupe joint. The label really fucked him hard on this one/

  8. Well we all know it isn’t what Lupe wanted to release, but Lupe does commercial rap better than anyone else it seems. The last 2 songs saved the album for me and makes me wonder what could have been

  9. I give this about a 4 but I really like the production and the flow of this cd. My favorites are All Black Anything (it sounds like old Lupe), Beautiful Lasers, and LEtting Go, show goes on is pretty sick too. I like all of these but I was hoping for some more I’m Beamin’ Material

  10. Radio friendly beats, good lyrical content, really does sound weird together, not the biggest fan of this album, but lupes first week sales projections are 220-240K, so guess Atlantic got what they wanted right? lol

  11. I agree with Arkitekt, this shit isn’t that good. I can’t groove to it at all. I waited for nothing. I have a feeling I’ll be like this with Dr. Dre album.

  12. Are you guys serious? the album was shelved for 4 years and you Wonder whyyyy it sounds forced? use some sense dammit! I know Lupe personally and he was so frustrated with the companies that he just fell into what they wanted to shut them up. its his last album with atlantic, now he can do shit on his own finally. And Honestly, for a “forced album”, shit is dope, so reconsider haterz!1

    1. You know why people give Lupe a hard time about this album (Besides him saying that he hated it)? It’s the whining. When they gave B.o.B “Airplanes” & “Nothin’ On You”, you think that nigga didn’t know it was pop as hell? The same when Biggie heard “Juicy” and the same when Pimp C heard “Big Pimpin””. You take what the record company gives you and work with that shit.

      But don’t whine and tell the fans who picketed for your album to be released that you hate it and you didn’t give best with what you had. And then take it back when you sell 200,000 copies in the first week.

      Oh yea, and all that techno bullshit on the album? That also why it’s not good. DuB was being nice with the 3 rating.

  13. I’m telling y’all it’s a gaffle. Think about it we know that Atlantic fucks him over at times (all the time.) But then the fans petition for the album. He puts it out, it’s not his best work. But think about how vocal he’s been that he doesn’t like it himself. He’s laying it on a bit *too* thick imo. Just how many of these songs are label forced huh? Is State Run Radio one of them? I don’t think that’s a song label heads like the ones he deals with would get behind. Guess what, it still sucks. But this way he blames the label, distances himself creatively from the songs and his stans ride with him, eagerly awaiting the next one. Genius.

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