Clipse – Til The Casket Drops [Review]

clipse-till-the-casket-drops-album-cover-nappyafro

What can you say about Clipse? I can say that they are a very underrated Hip-Hop group. You know, the type that everyone knows makes good music, but were never exceptionally successful commercially. Hell Hath No Fury was definitely one of the albums of the year back in 2006. But at the same time, it launched without a Top 40 single and hasn’t even gone gold yet three years later. Now, Clipse is back with Til The Casket Drops. Despite the absolutely horrible cover, Clipse looks like they’re in position to drop another very good album. Let’s see what they bring this time around.

Freedom
Produced by Sean C & LV
The beat on this one is HARD!! The sample might catch some off guard a little bit in the beginning, but then the beat hits you hard in the eardrum with it’s pounding drums and guitar riff. Both Malice and Pusha T showed up for this one, but I feel like they coulda did a little bit better lyrically. Still, for an intro, it’s hot as hell. Good song.

Popular Demand (Popeyes)
Featuring Cam’rom & Pharrell; Produced by The Neptunes
On the first listen, I’m not gonna lie, I wasn’t exactly feeling the beat. I wanted to like it, but it sounded like another recycled Neptunes production. The beat got hotter each time I went back to listen to it, and now I’m liking it. I’m DEFINITELY not feeling the hook, Pharrell messed it up by making it too long. Cam’rom’s verse was good, but he messed up big time by half-singing/rapping his verse like Pharrell did the hook. Both members of Clipse came solid with their verses, but overall it’s just an OK song.

Kind Of Like A Big Deal
Featuring Kanye West; Produced by DJ Khalil
This was the street single for the album that got everyone excited. The beat is hot! The hook is simple but enjoyable, with Pusha T doing his best Kanye-impression. Kanye himself went IN!!! I could hardly believe his flow on this track when I heard it:

“Spittin’ fire on the PJ in my PJ’s
Fire Marshall said I took it to the Max like TJ
Yea people I said Marshall’s we play
I guess I’m like the Black Marshall meets Jay
Meet Ye’ alligator souffle, got it made
Special Ed got head from a girl in special ed
Ya know the pretty ones in that dumb class
But she got that dumb ass
Hit high school and got pregnant dumb fast
What happen Tisha, your boyfriend come fast?”

Damn. Kanye needs to make an album NOW!! Clearly, ‘Ye out shined the others; with lame lines like: “Got me looking to the heavens like a javelin throw”, how can you expect to shine? Still, great song.

Showin’ Out
Featuring Yo Gotti; Produced by The Neptunes
This song overall is just OK. The beat is hot, again, and lyrically there are some wow moments (“Seein’ through your poker face, that nigga bluffin’/Ladies goin’ gaga for a nigga tryin’ fuck him”), it just doesn’t stand out on the album as a whole. Yo Gotti doesn’t spit anything too memorable, but I can see why they put him on here; this is the kind of music he makes and he feels right at home. Still, nothing really make this track better than the others on the album.

I’m Good
Featuring Pharrell; Produced by The Neptunes
The official first single off the album. I don’t care what anyone says about The Neptunes, when they want to, they can deliver beat-wise. THIS SONG IS MY SHIT!!! Plain and simple. When I first saw the music video for this, I was singing along to the song and everything. Damn. Anyway, both Malice and Pusha went in on this one:

“Man I’m killing it, riding in that brand new
Swimming through the streets, looking like I’m Shamoo
In that big body, with the wet paint
I got some pocket change, from selling wet weight
Today is a good day, ice cubes on my chest
Looking at my Blackberry, freak hit me on the text
Come and beat it up, I just need a minute
You can K ya ass, you ain’t gotta lay in it (Yes!)”

“Finally I’m free, all my dues paid
Them yellow diamonds got the charm like it’s Minute Maid
And I’m lookin’ good, and I’m feeling good
Try an’ stop my shine–I wish a nigga would”

Damn! Pharrell delivers a hook that’s not just good, it’s beautiful! Well, I mighta exaggerated there, but it’s nice. Great song, one of my top picks off the album.

There Was A Murder
Produced by DJ Khalil
I like Clipse’s flow on this one, but the whole song has me up in the air about it. It’s a semi-reggae style beat but it’s questionable (The jury’s out on the hook too). This is one of those hard songs to judge because some people will love it, and others will hate it. So I’ve got mixed feelings on this one.

Door Man
Produced by The Neptunes
Damn! This song is what we call a BANGER!! It’s a little too long, clocking in at a little bit over 5 minutes, but the hook is hot and Pharrell adds to the song through an uncredited background vocal that adds to the song. I’m feeling this one; Clipse rides the beat well (While neither spits anything too memorable). This one would definitely scorch the clubs.

Never Will It Stop
Featuring Ab-Liva; Produced by Sean C & LV
Nah, I’m really not feeling this one. This song doesn’t exactly sound out of place but at the same time just isn’t as good as the previous tracks. The beat is hard (again), but at the same time Ab-Liva isn’t really adding anything to the track and Clipse barely shows up here. SKIP!!

All Eyes On Me
Featuring Pharrell & Keri Hilson; Produced by The Neptunes
Neptunes did it again on this one. This beat is absolutely club ready and I could see this tearing up the radio. Keri Hilson’s hook is infectious and the beat backs her up sounding like that “red carpet runway” kind of shit. Clipse pretty much knew they didn’t have to show up for this one and you can tell because they sound nearly asleep on this. Still, it doesn’t really hurt the song because Keri Hilson does most of the work. Good song.

Counseling
Featuring Pharrell and Nicole Hurst; Produced by The Neptunes
Neptunes did it AGAIN!! Man, why do ya’ll hate on The Neptunes when they bring beats like this?!?!? Pharrell showed up for the hook once again; he kept it simple and infectious this time and is a good formula he should follow more often. Nicole Hurst’s role is that of the “ooohhs” over Pharrell’s hook, but she still adds to the song with her verse towards the end. Clipse once again didn’t really go all out here but again its acceptable because the whole song works so well. Great song.

Champion
Produced by The Neptunes
OK, now I know why people hate on The Neptunes; they blatantly recycle their beats. I swear, this sounds EXACTLY like “Loose Wires” from Kenna’s album Make Sure They See My Face back in 2007. The beat sounds way too distant and Clipse is barely trying at this point to me gliding through their lines till they get to the hook. It worked well up until now because the hook was so good on the previous songs but here there is no excuse. The girls singing back up help the song a lot though. It’s not a skip but very forgettable.

Footsteps
Produced by DJ Khalil
Nope, not feeling this one. SKIP!!

Life Change
Featuring Pharrell & Kenna; Produced by The Neptunes
Seeing both Kenna (One of my favorite singers out right now) and Skateboard P on the track together got me interested. P is using one of his talking-style hooks right here, but Kenna definitely showed up. While he only sings one line he makes it infectious. The beat on this is very electronic; something I’d expect seeing Kenna on the track because that’s usually the beats that he usually sings over. Clipse is rapping really well on this one and actually show up with good flows. It’s a good rebound from the past couple of missteps. Great way to end the album.

Bottom Line:
I’m not just saying this because I’m one of the few Neptunes fans left, but I feel like Clipse shoulda just taken all Neptunes beats on this album (With the exception of “Freedom” and “Kind Of Like A Big Deal”). All the best beats on this album come from The Neptunes. Not that the production was bad; it was nearly impeccable! But this album is a good example of the fact that a good beat can only help you go so far. On some of these songs, Clipse sounds asleep or even bored with their own lyrics. This definitely is a step down from Hell Hath No Fury, but it’s still a pretty good album that wouldn’t disappoint if you picked it up in stores. Clipse did a good job here and hopefully new music from them will come sooner than later with the quality stays at this level.

nappyPicks: Cop the whole album. Clipse hasn’t exactly had stellar sales.

Download: Clipse – “Door Man”
Download: Clipse feat. Nicole Hurst – “Counseling”

thescore131halfstars

  1. lol ive never heard anyone say the clipse hav fire beats but aren’t up to par lyrically. hilarious review dipshit

  2. I’m pretty much a Clipse stan, so I guess I would rate it higher, but to say that the Thorton’s do not have bars is crazy. Pusha T’s verse on Freedom is literally anazing.

  3. Definitely one of the better albums that came out this year!!!

    btw I’m sure “Champion” sounds familiar because its almost the exact same beat as Birdman’s Champion lol

        1. Hahahaa that Gucci alums fuckin dope my nigga. Im not hatin on this shit but how is the hottest rapper out right nows album not gonna get reviewed?! Come on now!! Hate all you want but The State Vs Radric Davis is gonna do some serious numbers…..as it fuckin should, Gucci deserves it

          1. Come on DGAF. You been messing with us for a minute. You should know the Gucci is getting reviewed…shit, it’s probably already reviewed. We actually got 4 reviews for this week.

          2. Whaaaaaaaaaaaaaaat? Gucci is dope? Dope is only associated with shit that challenges intellect–this nigg@$ poop!

  4. Aight my first issue is of course the album cover. But that was dealt with easily as I switched it out for the one Shake of 2dopeboyz came up with (also in our own forums in the topic where the leak was posted).
    My second issue is HOW CAN YOU NOT LIKE THE HOOK ON POPEYES! YOU MUST BE CRAZY! That shit is infecious. Cam wrote a great hook and verse and Pharrell executed the hook great. There is no way you like I’m Good over Popeyes…
    KILLA!!
    Anyways. This album is one of the better albums of the year and its rated a 3.5?? to quote Killa “Daaaaaaaaamn”.

  5. Hmmm… I still haven’t heard this properly yet. I was going to buy it, and I think I will go buy it. Been hearing positive things about it.

  6. HEY DOOOORR MAN. Honestly, my expectations were through the fucking roof with this album, considering Hell Hath No Fury is still on my ipod, and one of my most favorite albums of the decade, so I wanted Til’ The Casket Drops (Even with it’s ugly ass album cover) to be almost the same. Interestingly, I liked the other productions a little more than the NEptunes, though the Neptunes were fine.

    But yet, that’s the problem. Neptunes doing that synth shit too much and that … electronica – esque, a contrast for the gritty Clipse. Check out productions like “Wamp Wamp (What It Do),” or “Hello New World,” even “Nightmares.” The reason that the Clipse were heralded such lyricists, because the production was simple, minimalisitic, allowing the lyrics to show through, on all of those three songs, it’s a simple melody, and couple of 808’s, and a little of Neptunes flair added, not even barring what Malice and Pusha T have to say about anything.

    But the lyrics however, were a little bit of a problem, though it wasn’t as jarring as it was to me. I think the Clipse steamed down defintely a little, considering during their “Hell Hath No Fury,” stage, they claimed they were “pissed the fuck off,” yet, that drama caused them to make the stellar, “We Got It For Cheap” series (Volume 2 definitely one of my favorites, even the Re-Up went right), but netherless, the Clipse defintely had some nice rhymes (Can’t listen em’ all)

    But yet, even if it was a little under my expectations (Like Jay-Z Blueprint 3 dissapointment pretty much), The Clipse is definitely one of my favorite groups, just because they’ve been doing this so easily (Started in like the 1990’s, 1999 pretty much, for their unreleased album, easy to get too)

    Side note, that Popeyes hook is ridiculous hot! (I’m outside of popeyes, eating chicken and friesss)

    Picks: Doesn’t matter, it’s worth it to listen all of it (Except I’m Good & All Eyes On Me (Starting to get a little into it, but ehh, though they need some commerical appeal)

    Rating: 3.5 / 5

    1. I haven’t heard “Hell Hath No Fury” yet. I think I really need to now, ’cause I’ve heard it’s DOPE like a million times by now.

      1. Honestly, it’s the best introduction if you want to hear Clipse for their lyrics. Lord’ Willin’ is just a nice ass vibe to it, and this is the mediator.

      2. @ MaCK – It’s not that flat if you see it from another angle lol.

        @ Chew – Alright, I’ll get it tonight.

  7. @ B-Easy

    Thats what im talkin bout…..I was just expectin it to be up sooner. Its all good tho..

    But as for this album I havent heard the entire thing but the tracks I have heard from it have really surprised me. Another great review too…definitely gotta check out the entire thing asap

  8. This album is nice as fuck… But if somebody bullshit the Gucci review, I’m personally gon kick they ass. You hating mufuckas who call it bad and hasn’t listened need to die

  9. To suggest that Clipse don’t drop some of the best lines of their career on this album is ludicrous, as Malice delivers some of his best raps ever and T still gives verse after verse of what you expect from them. The subjects covered are more varied than the previous coke and boast from Lord Willin and HHNF. The obvious commercial-pandering singles are pretty much shit, like Counseling and All Eyes on Me, but I’m Good is just fucking exquisite. The guest tracks are interesting to say the least, as the Thornton’s are so often solitary on their shit, with Cam’ron almost on par with Push and Yo Gotti delivering a verse that doesn’t sound like garbage next to them, but are shown up by arguably Malice’s finest rhymes. Kanye just crushed it, plain and simple. Most of the other tracks are the usual excellence you expect from Clipse, with the Neptunes obviously not giving a shit on Champion. Overall, I’d say it’s somewhere between Lord Willin and HHNF in terms of quality, and more varied than both.

  10. Malice is not that criss B. relax.

    But This album deserves atleast a 4. Skipping footsteps? wtf? Clipse has some good chemistry with Khalil, they should work with him more often. But Khalil been on fire this year

  11. My quick sum up:
    -Killa Cam ruined Popular Demand
    -Keri Hilson should of been cut from All Eyes On Me – ya i know i will get some shit for this, but she fucked up their rhythm, they were on a fly “80s” flow, i felt that someone like…MC Lyte or Salt-n-Pepa should of sung the hook (beat goes hard) – maybe even throw in a verse or two
    -Footsteps was brought down by the chorus
    -This is no where close to Hell Hath No Fure lyrically
    -Also, i felt they should of went with their more dark approach, instead of this pop shit
    -Overall, The Neptunes did a great job with the production
    -Malice & Pusha T did well adjusting to the beats
    -TURN IT UP!!! The more you turn it up, the more you will like it.
    -Let it grow

    Top 5: Freedom, Kinda Like A Big Deal, Door Man (DAMN!!), Footsteps, Life Change
    Grade: (3.25/5) B-

Your email address will not be published. Required fields are marked *